Durga temple at Aihole
Durga temple at Aihole is an apsidal temple of about 550 A.D. in which the architect has made immense improvements upon his previous attempts. This temple is provided with a high pedestal, an open pillared verandah serving as pradakshanapatha, in place of a dark, ambulatory passage as in the case of the Ladkhan temple. Instead of perforated jallies is a pillared verandah running round the shrine, open, well ventilated and well lit.
There is a high entrance with steps leading up to a tall base; the roof is almost double in height and in this particular case the turret is beginning to take the shape of a little spire, which, during the course of the next centuries; evolved into a towering Shikhara. The pillars would have looked very dull had they not provided an opportunity to the sculptors to carve with beautiful figures. Carving is also done under the row of pillars and for the first time we come across brackets supporting the beam of the roof across the wide opening of the temple. This again reminds us of the practice followed by the architect working in wood, who wanted to make either a house or a shrine by putting up pillars or posts of bamboo or wood on top of which he put horizontal beams so as to hold the roof.
To make this construction doubly strong, he hit upon the 'idea of making brackets, an essential element in Hindu and Buddhist architecture in India and used much earlier in China; a slanting piece of stone emerging as it were from the pillars or posts, reaching out like an arm to hold the lintel or beam steadily. This kind of construction is known by the architectural term, trabeate, as distinct from accurate which was later made use of by the Muslims.
Durga temple at Aihole is an apsidal temple of about 550 A.D. in which the architect has made immense improvements upon his previous attempts. This temple is provided with a high pedestal, an open pillared verandah serving as pradakshanapatha, in place of a dark, ambulatory passage as in the case of the Ladkhan temple. Instead of perforated jallies is a pillared verandah running round the shrine, open, well ventilated and well lit.
There is a high entrance with steps leading up to a tall base; the roof is almost double in height and in this particular case the turret is beginning to take the shape of a little spire, which, during the course of the next centuries; evolved into a towering Shikhara. The pillars would have looked very dull had they not provided an opportunity to the sculptors to carve with beautiful figures. Carving is also done under the row of pillars and for the first time we come across brackets supporting the beam of the roof across the wide opening of the temple. This again reminds us of the practice followed by the architect working in wood, who wanted to make either a house or a shrine by putting up pillars or posts of bamboo or wood on top of which he put horizontal beams so as to hold the roof.
To make this construction doubly strong, he hit upon the 'idea of making brackets, an essential element in Hindu and Buddhist architecture in India and used much earlier in China; a slanting piece of stone emerging as it were from the pillars or posts, reaching out like an arm to hold the lintel or beam steadily. This kind of construction is known by the architectural term, trabeate, as distinct from accurate which was later made use of by the Muslims.
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